Tag: Bill Viola

16
Gen

Bill Viola / Michelangelo. Life Death Rebirth

In January 2019, we’ll bring together two artists – born centuries apart – who explore the same universal themes with works of transcendent beauty and raw emotional power.

In contrast to the scale and grandeur of his frescoes and sculptures, Michelangelo’s exquisite drawings take us closer to the emotional core of his work. Finished works in their own right, they were created as gifts and expressions of love, or as private and meditative reflections on his own mortality.

In 2006, pioneering video artist Bill Viola saw the finest of a collection of these drawings at Windsor Castle, and was astonished by the Renaissance master’s expressive use of the body to convey emotional and spiritual states. Although created in a radically different medium, Viola’s own works also grapple with life’s fundamental questions, asking us to consider the thresholds between birth, life and death. Both artists harness the symbolic power of sacred art, and both show us physical extremes and moments of transcendence.

This exhibition explores the affinities between Bill Viola and Michelangelo, and is conceived as an immersive journey through the cycle of life. You’ll see a selection of Michelangelo’s most poignant works, including those from Windsor such as his drawings of the Crucifixion, as well as Michelangelo’s only marble sculpture in the UK, the Virgin and Child with the Infant St John (the ‘Taddei Tondo’). From Viola, we feature 12 major installations spanning his entire career, including the extraordinary Tristan’s Ascension (The Sound of a Mountain Under a Waterfall), a five-metre-high projection depicting the ascent of the soul after death.

Royal Academy of Arts
Bill Viola / Michelangelo
Life Death Rebirth
26 January — 31 March 2019

Daily 10am – 6pm
Friday 10am – 10pm

Extended opening hours: open until 9pm on 29 – 30 January and 2 February.

Main Galleries, Burlington House, Piccadilly

 

23
Ott

Bill Viola alla Cripta del Santo Sepolcro

In uno dei luoghi più suggestivi della città, tre video installazioni del grande artista Americano esposte nella più antica Chiesa sotterranea di Milano. Questo spazio carico di spiritualità ospita tre video installazioni che descrivono i grandi temi della vita – la nascita, la morte, la rinascita e la coscienza umana.

Dal 18 Ottobre al 28 Gennaio 2018, la Cripta del Santo Sepolcro a Milano sarà teatro di un intervento  artistico di grande risonanza.

Gli ambienti di uno dei luoghi più ricchi di spiritualità della città si apriranno alle opere del rinomato artista Bill Viola (New York, 1951). La mostra, dal titolo Bill Viola alla Cripta di San Sepolcro, organizzata da MilanoCard in collaborazione con Bill Viola Studio, promossa dalla Veneranda Biblioteca Ambrosiana e che vede come Partner istituzionali Regione Lombardia e il Comune di Milano, presenta tre opere di Bill Viola capaci di creare una dialettica tra l’antica chiesa ipogea, sita nel cuore dell’antica Milano, con temi che Viola ha esplorato nei suoi lavori, come la nascita, la morte, la rinascita e la coscienza umana. Il percorso espositivo allestito nella Cripta del Santo Sepolcro – riaperta dopo 50 anni e diventata immediatamente tra le principali mete culturali a Milano, con oltre 40.000 visitatori, si apre con The Quintet of the Silent (2000), in cui un gruppo di cinque uomini in piedi, molto vicini tra loro, sono attraversati da un’ondata di emozioni intense che minaccia di sopraffarli. Quando la sequenza inizia, la loro espressione, inizialmente indifferente, si modifica fino a un livello estremo, dopo di che comincia a calare, lasciando ogni persona esangue ed esausta. La lentezza del video, che permette al visitatore di cogliere appieno il mutamento dell’espressione del volto e del corpo, è caratterizzato da un chiaroscuro di stampo caravaggesco.

Il secondo lavoro, The Return (2007), appartenente alla serie Trasfigurazioni, riflette sul passare del tempo e del processo attraverso il quale l’essere interiore di una persona viene trasformato. Bill Viola ha scritto: “Da uno spazio scuro e granuloso, una donna si avvicina lentamente a un limite invisibile. Il suo passaggio attraverso la soglia tra la vita e la morte è violento, e si muove con riluttanza verso la luce trasformandosi in un essere vivente.”

Il viaggio attraverso la Cripta si conclude con Earth Martyr (2014) una delle quattro opere che costituiscono la serie Martyrs, dedicata ai quattro elementi naturali (aria, acqua, terra, fuoco), inaugurata nella cattedrale di San Paolo a Londra nel Maggio del 2014. Il video mostra una persona sepolta in un cono di terra che inizia a salire, dando colpi al suo corpo, che inizia anch’esso a salire, essendo stato intrappolato dal peso della terra. Durante questo viaggio, lo spettatore si troverà in sintonia emotiva con le opere di Bill Viola. Queste infatti agiranno come degli specchi, riflettendo le nostre stesse emozioni, che l’architettura e l’antica storia della Cripta amplificherà. “Io e Kira siamo onorati dal fatto che queste tre opere d’arte in movimento saranno esposte nella bella Cripta del Santo Sepolcro. Le tematiche atemporali affrontate dalle opere sono fortemente connesse a questo spazio sacro, dove sono conservati i pensieri e le parole delle innumerevoli persone che abitarono queste stanze a volta nei secoli.” Particolari anche gli orari di apertura, tutti i giorni dalle 17 alle 22 (ultimo ingresso alle 21), che rispondono sempre più alle esigenze di un pubblico giovane e dinamico che trova tempo per visitare mostre e monumenti soprattutto nelle fasce serali contribuendo quindi anche a tenere viva la città. Sarà inoltre offerta, tutti i sabati, in collaborazione con Neiade, l’opportunità di una visita in notturna (alle 23.00) con un’esperienza carica di emozioni date anche dalla suggestione di questo luogo vissuto a tarda sera. “La Cripta di San Sepolcro, da quando è tornata alla luce un anno e mezzo fa, non smette di brillare e di sorprendere le decine di migliaia di visitatori grazie anche ad un’offerta di contenuti in continuo aggiornamento e capaci di rispondere alle esigenze di diverse tipologie di visitatori – dichiara Edoardo Filippo Scarpellini Amministratore Unico del Gruppo MilanoCard – e siamo davvero felici di poter contribuire concretamente e continuativamente per riportare ad antico splendore questo straordinario luogo che ha visto passare la storia e la ha custodita”Continue Reading..

10
Dic

Bill Viola. Inverted Birth

“Inverted Birth” is the gallery’s seventh solo exhibition by internationally acclaimed video artist. Featured are six major works created between 2012 and 2014: Ancestors, Inverted Birth and four pieces from the Martyrs series

James Cohan is pleased to present Inverted Birth, the gallery’s seventh solo exhibition by internationally acclaimed video artist Bill Viola, on view from December 10 through January 30.
Featured are six major works created between 2012 and 2014: Ancestors (2012), Inverted Birth (2014), and four pieces from the Martyrs series—Earth Martyr, Air Martyr, Fire Martyr, and Water Martyr (all 2014).
Regarded as a seminal figure in the development of video art, Viola has been celebrated throughout his 40-year career for combining state-of-the-art technology with universal humanistic themes—birth, death, and the unfolding of consciousness.
These themes continue in Viola’s Inverted Birth, which explores the life cycle as a continuum rather than a linear progression. Viola has remarked, “Birth is not a beginning, death is not an end.”
In the main gallery, Viola’s monumental video and audio installation Inverted Birth is projected onto a 15-foot-high screen anchored to the floor. The work depicts five stages of awakening through a series of violent transformations. The piece begins with a man standing in darkness, coated in black fluid. Gradually, the fluid begins to flow in reverse and rises upward with increasing velocity.
The fluids change from black to red to white, ultimately becoming clear like water. A soft mist covers the man for the final stage of awakening. The essential elements of human life—earth, blood, milk, water and air, and the passage from birth to death—here are inverted when darkness is transformed into light. In Ancestors, on view in Gallery 1, a mother and son make a journey on foot across the desert in the heat of summer. In the course of traversing this inhospitable landscape, a new consciousness unfolds when they become swallowed by a dust storm and emerge finding solace in one another.Continue Reading..

10
Ott

Bill Viola

This autumn, Yorkshire Sculpture Park (YSP) presents a significant exhibition by pioneering American video and installation artist, Bill Viola. Developed in collaboration with Viola, Kira Perov, Executive Director, Bill Viola Studio and Clare Lilley, Director of Programme, YSP, it is the most extensive exhibition in the UK by the artist for over 10 years. The immersive exhibition in YSP’s Chapel and Underground Gallery features installations from the last 20 years of Viola’s career and premieres a new work, The Trial.

Considering universal themes of life, death, love and spirituality, Viola gives tangible visual form to abstract psychological and metaphysical experiences. He explores facets of the human condition and holds a stark and intimate mirror to our strength, fragility, and the impulses and inevitabilities that unite us. The eight works installed in the Underground Gallery continue Viola’s investigations of the unseeable, the unknowable, and the place between birth and death. His new work, The Trial (2015), depicts, in Viola’s words, “five stages of awakening through a series of violent transformations.” A young woman and a young man, both bare-chested and on separate screens, are each doused with a sudden and unexpected succession of different coloured liquids. Their ordeal intensifies then wanes as the cycle progresses and changes, from despair to fear to relief and then purification.

The exhibition also features three works from the Transfigurations series, which reflect on the passage of time and the process by which a person’s inner being is transformed. In Three Women (2008), a mother and her two daughters slowly approach an invisible boundary through which they pass and eventually return. Viola combines images recorded in grainy analogue video from an old surveillance camera with those shot in High-Definition video to bring the viewer to the intersection of obscurity and clarity – from death to life – and back again. Two other related works, The Return and The Innocents (both 2007), use the same device of an unseen wall of water to render visible the momentary threshold between life and death.Continue Reading..

14
Lug

Bill Viola

Bill Viola
Friday 12th June 10am – Monday 26th October 4pm
Auckland Castle plays host to a major arts installation that evocatively responds to its context, and challenges all your senses and preconceptions about faith.

Earth Martyr, Air Martyr, Fire Martyr, and Water Martyr are four individual works by Bill Viola derived from his large-scale video installation Martyrs (Earth, Air, Fire, Water), unveiled at St Paul’s Cathedral, London, in May 2014. Unsettling yet beautiful, these works offer a profound contemplation on the nature of faith, suffering, sacrifice, and death.

Through the medium of video, Viola reflects on the fundamental meaning of martyrdom.
He writes, ‘The Greek word for martyr originally meant “witness.” In today’s world, the mass media turns us all into witnesses to the suffering of others. The martyrs’ past lives of action can help illuminate our modern lives of inaction. They also exemplify the human capacity to bear pain, hardship and even death in order to remain faithful to their values, beliefs and principles.’

Each silent video shows a man or woman being overcome by one of the four elements, immovable in the face of their physical agony.

Viola continues, ‘As the works open, four individuals are shown in stasis, a pause from their suffering. Gradually there is movement in each scene as an element of nature begins to disturb their stillness. Flames rain down, winds begin to lash, water cascades, and earth flies up. As the elements rage, each martyr’s resolve remains unchanged. In their most violent assault, the elements represent the darkest hour of the martyr’s passage through death into the light.’

This summer marks the 350th anniversary of the consecration of St Peter’s Chapel at Auckland Castle in 1665. A testament to the faith and vision of one man, Bishop John Cosin (1660–1672), this sacred space provides a contemplative setting for Bill Viola’s arresting artworks.

Open 10am – last admission 4pm, every day except Tuesdays.

Normal admission applies.

Auckland Castle
Bishop Auckland
County Durham
DL14 7NR

Phone: 01388 743 750

louise.alderson@aucklandcastle .org
www.aucklandcastle.org